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In one other, it is a quest for the recovery of the sense of surprise throughout its semantic spectrum, from the celebration of human artistic energy and absolute freedom—which in line with Fredric Jameson's Archaeologies of the Future (2005) is the function of fantasy—by way of dramatizing our incapability to think about the long run and thus contemplating our own absolute limits, which Jameson sees because the function of science fiction; and on to the inextinguishable feeling of blended surprise and oppression” in the face of the vast and provocative abyss of the horrifyingly inhuman unknown,” which according to H. P. Lovecraft is
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In one other, it is a quest for the recovery of the sense of surprise throughout its semantic spectrum, from the celebration of human artistic energy and absolute freedom—which in line with Fredric Jameson's Archaeologies of the Future (2005) is the function of fantasy—by way of dramatizing our incapability to think about the long run and thus contemplating our own absolute limits, which Jameson sees because the function of science fiction; and on to the inextinguishable feeling of blended surprise and oppression” in the face of the vast and provocative abyss of the horrifyingly inhuman unknown,” which according to H. P. Lovecraft is
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